Student Achievements
Student & Alumni Achievements
IDSVA students and alumni are making substantial contributions to their fields of interest. Since enrolling at IDSVA, students have led panel discussions and presented papers at prominent conferences, published papers and articles, been awarded fellowships and promotions, and participated in solo and group exhibitions around the world.
2024 Book launch and panel discussion: Aestheticizing History with Nancy Bookhart. January 23, 2024.
Presentation: "Embodied Work in the Artist’s Method as Flow" at the SECAC Conference in Cincinnati, OH, October 22-25, 2025.
Appointment: Assistant Professor, Art Department, Graphic Design & New Media at SUNY Potsdam.
Presentation: “On the Fragmented Survival of Hegemonic Fantasms,” in Art and Art History as Modes of Flow: Beyond Linear and Network Models of Artistic Relation and Transformation, Session II; chaired by Jason Hoelscher, at SECAC on Oct. 25, 2025
Award: Arts4All Teaching Artist Residency by the Collier County Department of Juvenile Justice in Naples, FL
Co founded: Studio EA, a multi discipline creative firm focussing on architecture, art and collaboration.
Co-chair with IDSVA student, Shana Dumont Garr, the two-session panel Beyond Humanism: Exploring Post- and Trans-Human Entanglements at SECAC in Atlanta, GA.
Presentation: "The Brain and the Boogeyman: Instinct and Survival" at SECAC, Baltimore, October 2022.
Publication: (Untitled), in the monograph Richard Hearns: Journey, to accompany Hearns' solo exhibition at Cadogan Contemporary.
Publication: "The Soul of the First Line," "To Calligraph a Reverie," "The Poet's Dilemma," and "Multiplicity" in the final edition of the Oregon College of Art and Craft literary magazine.
Promotion: Senior Vice President of Academic Affairs, Rocky Mountain College of Art and Design. Lakewood, CO.
Appointed Art Research Project Mentor & Professor for Swell Education Group
Awarded mentorship by the American Society for Aesthetics Mentoring Program
Presentation: “What Does It Mean to Be an American in the 21st Century?” for the panel Visions and Collisions of War: Art, Architecture, and Armed Conflict at the annual SECAC Conference, October 22-25, 2025.
Presentation: “Portrait and Storytelling Photography: Visual Narratives Through Lens and Light” for the CTE–ROP Central California Conference with Peter Hurley, held in Fresno, California, on October 21–22, 2025
Presentation: "Violence, Addiction, Beauty, and Transmutation Through the Works of Nick Cave and Doris Salcedo" for the panel Artivism: A Visual Language of Change at the SECAC Conference on October 25, 2025.
Appointment: Chief of Staff, The Studio Museum in Harlem, reporting to the Director and Chief Curator, Thelma Golden.
Photograph “Untitled (On the Dialectics of Seeing),” published on the cover of Dr George Yancy's third edition of Black Bodies, White Gazes published by Bloomsbury in July 2025. Phearse's photograph considers our relationship to seeing beyond it's gaze.
Presentation: "Carnivalizing Philosophy: The Future of Western Thought" at CAA.
Appointment: Adjunct positions at The College of Staten Island, in History of Philosophy and History of the Caribbean. Staten Island, NY.
Presentation: "I Go to Prepare a Place for You: Afro Feminist Approaches to Spacemaking and Curating in Modern Museums" at the CraftNOW Connectivity Symposium for Emerging Voices, presented by CERF+
Zindzi Harley served as Curator for the REVOLT Art Fair during Miami Art Basel (December 2–6, 2025), showcasing contemporary works centered on themes of resistance and cultural transformation.
Appointed to CAA's Committee on Women in the Arts for a three-year term starting February 2024.
Presentation: “The Gaze Economy of Pregnancy and Birth of (M)others in US American Film" for the panel The Visual Culture of Birth in America at SECAC, October 25, 2025.
Panel co-chair, along with IDSVA PhD Candidate, Kimberly Aimée Alvarado, of the session: "Decolonial Aesthetics: Toward Artistic and Philosophical Interventions" at SECAC in Richmond, VA.
Presentation "Artistic Gestures and the Entanglement of Matter and Meaning" for the panel Matter in Flux: The Intra-Action in Art at the SECAC conference on Oct 23, 2025
Chair: a two-session panel titled Art and Art History as Modes of Flow: Beyond Linear and Network Models of Artistic Relation and Transformation at SECAC, October 23, 2025
Paper: "Art is the Butterfly Effect of Itself: Retronymic Recoding and Aesthetic Efflorescence," for the panel titled Art and Art History as Modes of Flow: Beyond Linear and Network Models of Artistic Relation and Transformationat SECAC, October 23, 2025
Solo Exhibition: "Vital Traces" at the University of Maine at Farmington. September 14, 2021
Presentation: “The Plant Contingent Presents: Ecstatic Repair Under the Winter Skies,” with Kate Farringtin (PhD 2022) for the panel Synergetics in Community Practice at SECAC, October 22 -25, 2025.
Solo Exhibition: "Future Monument to the Trees of the Public Garden," on November 9-11, 2024 in the Boston Public Garden as part of "Un-Monument," a public art initiative sponsored by the Mayor's Office of Arts & Culture and supported by a grant from the Mellon Foundation.
Presentation: “The Plant Contingent Presents: Ecstatic Repair Under the Winter Skies,” with Samantha Jones (PhD 2024) for the panel Synergetics in Community Practice at SECAC, October 22 -25, 2025.
"It's the End of the World as We Know it and I Feel Fine" in Visual Inquiry, Volume 11, Issue 2-3, 2023.
Presentation “Pedagogical Possibilities of Multispecies Aesthetics” in Art and Art History as Modes of Flow: Beyond Linear and Network Models of Artistic Relation and Transformation, Session I; chaired by Jason Hoelscher, at SECAC, October 23, 2025.
Medieval Academy of America Kalamazoo Program Committee Member appointed on June 1, 2025
Presentation: "How Medieval-ism Are They Really? Examining Feminist Spirituality Through Visual Aids" for the panel Studio and Art History > Mega Fans and Myth Busters: Creating Pathways from Popular Visual Culture to the Past in the Art/History Classroom, Session I at the SECAC conference from October 22-25, 2025.
Co-chair the panel discussion Impact: Generative Artificial Intelligence and the Young Visual Artist, presenting her theoretical research considering embodiment and AI art at the Southern Humanities Conference in Greenville, SC, on January 31, 2025.
Co-presentation: “Three Dialogues: Multi-Modal Approaches to Generative AI in Contemporary Art Practice” for the session Balancing Innovation and Tradition: Adapting Coursework in the Wake of AI, at the annual SECAC conference, October 24, 2025.
Paper: "Resisting Carceralizing (s)places through the Prisoner Zines: The Signification, index, and shifting through Adorno, Piepmeier, and Krauss" at the annual SECAC Conference, October 22-25, 2025
Book publication “Ylang Ylang Socialism: Ali Soilihi, Maoism, and Socialist Comoros 1975-1978"
Presentation: “Attentive Storylines: the Intimacy of Ontological Encounters” for the panel Exploring the intersection of storytelling and visual art at SECAC in Cincinnati, Ohio from October 22-25, 2025.
Presentation: “Relational Attentiveness: Intimate Listening and Dialogical Engagement” for the panel Conceptions of Nature from Ionian Thought to Contemporary Science at the XVI International Ontology Congress in San Sebastián, Spain on October 7-10, 2025 and Saint Jean de Luz, France on October 11, 2025.
Appointed Co-President and Chief Ideation officer of One Arts.
Elected member of the Society of Encouragement and Education
Group Exhibition in Pekin, China.
Presentation: “The Intimacy of Ecological Time in Nancy Holt’s Sun Tunnels” at the Pacific Association for the Continental Tradition (PACT) conference in Los Angeles, October 3, 2024.
Keren Moscovitch published the book Radical Intimacy in Contemporary Art: Abjection, Revolt, and Objecthood (Bloomsbury, 2024), a study exploring how contemporary artists use intimacy and the body to challenge social and aesthetic boundaries.
Marvin Milián presented “The Art of the Proletariat and the Role of Autonomy in Today’s Political World” at the SECAC conference in Cincinnati, Ohio, as part of the panel Artivism: A Visual Language of Change, exploring the intersection of art, politics, and social activism.
Presentation: "Voices: The Polyphonic Visual Concert in the Street" for "Painting the Town: A Conference on the Philosophy of Street Art" at Georgia State University in Atlanta, GA.
Group exhibition entitled, Same House, Different Time, June 12, 2024, at the Avellana Art Gallery in Manila Philippines.
Lexygius Sanchez Calip held a solo exhibition and residency titled “A Silence that Bellows” representing the Philippines at the 10th Nakanojo Biennale 2025 in Gunma Prefecture, Japan, highlighting the dialogue between place, identity, and creative expression.
Present the paper “Aesthetic Noise as Contemplative Practice” based on a chapter from her forthcoming book Aesthetic Noise: The Philosophy of Intentional Listening on Routledge during the panel The Inmost Light: Analog, Esoteric & Occult Sound Practices in the Art Studio and Classroom at SECAC in Atlanta, GA.
Mary Mazurek published Aesthetic Noise: The Philosophy of Intentional Listening (Routledge, 2025), a book examining the aesthetic and philosophical dimensions of sound, noise, and attentive listening in contemporary culture.
Presentation: "Plant Play" at the Annual Symposium on Computer-Human Interaction in Play (CHI PLAY), in Stratford, Canada.
"Plant Growth Dreams" animation screening on the exterior of the FIESP Cultural Center at the FILE Electronic Language International Festival, São Paulo, Brazil
Jon Carver was awarded the Elinor Ostrom Fellowship through the Mercatus Center at George Mason University in Fairfax, Virginia, supporting his research in political economy and governance.
Appointment: Interim Editor of Landscape Journal, the primary academic journal for landscape architects based in North America.
Article "The Itinernant Inhabitant: Unsettling Landscape Design" in The Polish Journal of Aesthetics
Panel Chair for Repair within Communities for the first annual IDSVA Alumni Association 2-Day Conference in New York City, NY, April 25-27, 2025.
Presentation: "The Inception of Detroit Techno: How Abjection and Bleakness Spur Hope Through a New Genre of Music" at SECAC, Baltimore, October 2022.
Publication: Diarios Andinos de las Tierras del Sol Recto in the "Andean Diaries of the Land of the Rectilinear Sun." 2024.
Anachronistic comments on philosophical poetics. Book by philosopher Fernando Alban.
Southeastern College Art Conference Equity, Diversity and Inclusion Award for 2025
Solo show and artist talk: "Alternations" at Lone Star College-CyFair Bosque Gallery in Houston, Texas
Paper: "Propped With a Spoon: Rupture in the Penumbra" for the session Interdisciplinary > Artivism: A Visual Language of Change at SECAC, Cincinnati, OH, October 22 -25, 2025
Group Exhibition and Residency: Vol. 4 International Ceramic Symposium with Theodorou Art Studio at Meteora Museum of Geological Formations, Kalampáka, Greece
Awarded the Fulbright Scholar Award. The award is to produce a photographic body of work on wonder in the Buddhist tradition in Nepal from fall 2025 to spring of 2026. Dr. Tanner has been invited to undertake this research with the support of University of Kathmandu, extending his dissertation’s research on wonder in the Western tradition of thought.
Presentation: “Mourning as True Anarchy—Philosophical Thinking Reimagined as a Grieving-With Shared Ecologies Upon an Earth in Trouble" at the 12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).
Paper: "The Poetics of Plants and Plants as Poets—An Aesthetic and Multispecies Worlding Through Mourning" for the panel Interspecies Intimacies at the Collaborations Afield Conference at Harvard University, Cambridge, MA, March 27 - 30.
"Steve McQueen and Béla Tarr: Exploring a Whatever Communality on the Dance Floor" in Visual Inquiry, Volume 11, Issue 2-3, 2023.
Paper: "Re-interpreting Nicola Perullo’s Aesthetics of Taste Through Flavor “ for the Society for Italian Philosophy conference at Stony Brook University in New York on April 2, 2025.
A review of the book IDSVA alumni, El Putnam's (PhD 2014) book The Maternal, Digital Subjectivity, and the Aesthetics of Interruption (Bloomsbury 2022) has been published in the International Journal for Performance Arts and Digital Media
Publication "Livestreaming An Aesthetics and Ethics of Technical Encounter."
Presentation: “Nothing She Has, Nothing She Knows, Nothing She Wants. A Poretian Anticipation on Authentic Living and Being-in-the-World in Heidegger’s End of Metaphysics” and “A Girl’s Thing. On the Becoming of Subjectivity” Kristeva’s Powers of Horror at 45” at the 56th Annual Northeast Modern Language Association (NeMLA) Convention, Philadelphia, PA on March 6-9, 2025.
Presentation: "The Möbius Soul. Marguerite Porete's Earthy Consciousness" The Science of Consciousness Conference, Barcelona, Spain. July 9, 2025. Organized by the Center for Consciousness Studies of The University of Arizona.
Paper: “Becoming Aware: Art and The Sense of Touch” at the 5th Barcelona Conference of Arts, Media and Culture (BAMC 2024).
Paper: "Bodily Awareness: Skin as Surface, Trace and Memory" for the panel Body As Surface (Landscape) at the CAA113 conference in New York, February 14, 2025.
Awarded Black Theology and Leadership Institute Fellow, Princeton Theological Seminary, Princeton, NJ
Curator for "Remembering Freddie Gray", Jubilee Arts, Baltimore, MD
Display of artwork from her series, Fairytales, in the group exhibition Reverberations, at UNDERSTORY in Cleveland, Ohio
Exhibited her work from the series "Fairtales" in the group Exhibition "Reverberations" at UNDERSTORY in Cleveland, OH.
The paper "Shrouded Bells: The Hallow of Janine Antoni's Unveiling" at ICMHS, Dublin, Ireland, July 2024.
Paper: “Freedom From Chains: Chiara Fumai and the Ghost of Harry Houdini” for the session, Studio Art < the "F" Words: Fear | Fail | Flux | Flow at the SECAC Annual Conference in Cincinnati, Ohio, October, 24, 2025.
Presentation: “‘Understated’ The Socio-Political and Environmental Across Generations: Diego Rivera and El Anatsui” at the AICA-International Congress in Bucharest, Romania.
Presentation: “Communicating Triptychs: Kentridge, Bosch & Beckmann” at the 57th Annual International Congress: Re-Imagining the Global South: Art, Gender and Identity, October 27-30,2025.
*Dr. Jean Bundy is Editor of the AICA/e-mag and Chair of the AICA-International Incentive Prize for Art Critics
Received a grant from Collective Future Fund: New Projects for “Soil Culture Project” in collaboration with Julie Poitras Santos.
"Exploring the Transformative Powers of Art and Soil: the Farm/Art DTour’s Rural-Urban Flow", chapter 24 in the special issue Rural Imaginations for a Globalized World, edited by Esther Peeren and Tjalling Valdes-Olmos.
Feature Documentary Release NASIMA on vod (Tubi and Google Play)
Presentation: "Fair Use & Visual Art" at the 2025 ASA (American Society of Appraisers) International Conference in San Juan, Puerto Rico
Publication: "The Subject and Object in Knowledge and Understanding" (Article 3488) in the online journal Academia Letters.
Publication: "What is Becoming?" in the online journal Academia Letters.
Presentation: “Vertiginous Play: a Transformative Kinetics” at the 15th annual Beyond Humanism conference in Paris, June 24-27, 2025.
PACT Conference (Pacific Association for Continental Thought) presenting “Envisioning the Macroalgal with Adrian Ghenie” which considers virtual/analog entanglement through a transhistorical lens.
Publication: "Aesthetics of Post-Reality" is required reading for the Fall 2025 Masters course "Western Aesthetics and Traditions" Sacramento State University
Presentation: “Aesthetics of Post-Reality” for the panel Myth, Magic and Memory: Cultural Narratives of Technology at the Society for Literature, Science and Art (SLSA), Oregon State University, Corvallis, Oregon, August 21-24, 2025. "Aesthetics of Post-Reality" will be taught as required reading for the Fall 2025 Masters course "Western Aesthetics and Traditions" at Sacramento State University.
Guest Speaker and Discussion Leader for the Museum of Fine Arts Spotlight Series "Renaissance Babies & Images of Motherhood" with Lauren Amalia Redding & Natalie Velez on March 4, 2025.
Presentation: “The Pomegranate: Reflections on a Symbol of Hospitality, Abundance, and Relationship with the Other” at the 60th International Congress on Medieval Studies, May 8–10, 2025, at Western Michigan University. The panel, “Mysticism and the Twenty-First Century (A Roundtable),” is organized by Tory Schendel-Vyvoda (Cohort '23).
Presentation: “Modernism in America: Retelling a Tale . . . of Two Cities” in the panel Rethinking Borders and Boundaries at the SECAC conference in Richmond, VA.
Presentation: "Gender and Fluid: A Reconsideration of the Stain in the Painting of Helen Frankenthaler" at SECAC, Baltimore, October 2022.
Solo Exhibition: "Imaginary Letters to Vasily Grossman, Post-WWII Repatriation to Soviet Armenia" at the Festival TransCaucases (INALCO) Paris, France
Poetry Reading at 2024 LitHop in Fresno, CA
Solo Exhibition: Flowers and Figures for Mother’s Day, Atelier Lucia Gallery, Albuquerque, NM
Presentation: “Kitsch and the Lack of Imagination,” at The Representational Art Conference (TRAC).
Appointed Adjunct Assistant Professor of Art History at CUNY-Kingsborough Community College.
Conference panel chair of the session "Diversity, Equity, Access, and Inclusion in the Emergence of Photography" at SECAC in Richmond, VA.
Book Publication: The Aestheticization of History and the Butterfly Effect. Vernon Press, 2023.
Appointed Senior Art Business Coach
Presentation: “The First Female Engineer at General Motor’s Descent into Alzheimer’s with Sundowners: A Daughter’s Scholarly Research and Case Study as Caregiver” at the Alzheimer's Association International Conference (AAIC).
Presentation: "Spacetime and Virtual Reality: temporal recalibration for neurological disorders such as Parkinson's disease, schizophrenia, ADHD, and autism by using movement contingent time flow in virtual reality" at the Society for Literature, Science, and the Arts National Hellenic Research Foundation in Athens, Greece.
Exhibition: "Faces of Humanity:A Global Portrait " in the Barbagelata International Portrait online Exhibition on view until 10/30/2023.
Solo Exhibition: Leto: Echos of Ephemera at the Barbagelata Contemporary Art Foundation Online Gallery. Currently on exhibit through February 15th, 2024.
Presentation: "Georgia O’Keeffe and Martin Heidegger: On the way to Dwelling in the Threshold" at the American Society for Aesthetics Rocky Mountain Division Conference.
Presentation: "The Intertextual Studio: Research, Technique, and The Paradigm of the Artist/Scholar" at SECAC, Baltimore, October 2022.
Appointment: Chair of the Writing Program and Instructor of Writing and Digital Literacy at Antioch College, Ohio.
Participation: residency Oral History in Liberal Arts Institutes at Antioch College and the American University of Bulgaria.
"A Haunted World: Animism, Spirits, and Sorcery as the Work of Art" in Visual Inquiry, Volume 11, Issue 2-3, 2023.
Appointed Lecturer at The Ohio State University Department of History of Art, teaching the self-authored Museum Studies course, 'Toward an Ethico-Aesthetical Curatorial Practice.'
Appointed the Executive Gallery Director at ROY G BIV Gallery for Emerging Artists.
Panel Chair: "The Impact of “Professionalism” on the Artist/Parent & How to Change a Culture" at SECAC in Richmond, VA.
Presentation: “Shifting Pedagogy for Holistic Learning in Higher Education” with Robert Howsare at SECAC in Richmond, VA.
Publication: "Art Activism and the Environment" is included in Ecothee Volume 6: Contemporary ecotheology, climate justice and environmental stewardship in world religions.
Co-Presentation with IDSVA Alumna, Angela Mosely: “Teaching Under ‘Protections from Discrimination and Woke Indoctrination’” (FATE) at SECAC in Richmond, VA.
Chaired the session Black Cultural Art Performances and present the paper "When Hope and Fear Collide" at the Black Joy AI Summit Conference in Washington, DC.
Presented the workshop “The Evolution of Black Input and Output” at the 53rd Annual Legislative Conference in Washington, DC.
Publication: “The Empty Sublime: Robert Rauschenberg in a Comparative Context”, in The Journal for Comparative and Continental Philosophy.
Created an installation project in southwest México, entitled "Casa Adobe" using field grass, earth, and burro dung. The structure covers approximately 200 square meters of terrain at the base of Mt. Picacho.
Appointment: Executive Director, Western Kansas Community Foundation.
Presentation: "Flux, Wi-Fi, Fractals: Opening the Investigation into Spatial Rhythms" at the SLSA Conference 2022.
"Flickers of Singularity: Ryman and Rauschenberg Paint the Diremption" in Visual Inquiry, Volume 11, Issue 2-3, 2023.
Presentation: "Humanity: Reflecting upon Belonging Beyond Boundaries" at the Universities Art Association of Canada (UAAC).
Publication "Livestreaming An Aesthetics and Ethics of Technical Encounter."
Publication: "Pseudorandom: generative animation as performance in Emergent" in the International Journal of Performance Arts and Digital Media.
Founder and Owner, SeedVerse LLC
Appointment: Visiting Researcher at Pompeu Fabra University, Barcelona, Spain.
Paper: "Time for Play: The Ontological Risk of the Space of Interpretation" at the PACT conference in Los Angeles, October 4, 2024.
Award: Best Experimental Film Award (Paris Film Festival) and Honorary Mention (Hollywood Short Film Festival) for her film "Viaggio: A Journey through Life."
Present the paper: “Fused Subjectivity in the Artwork of Carolee Schneemann” at the Scientific Committee of the 5th International Conference on Gender Studies and Sexuality (ICGSS) Paris, France.
Presentation: "Becoming Monumental: The Contemporary State of Black Female Subjectivity" at the virtual conference: Art, Access and Agency-Art Sites of Enabling.
Panel Co-Chair: "Reframing Aesthetics: Diaspora, Historicity, and The Myth of Truth" at CAA
Hosted the event "Collaborative Community Canvas” at the 2024 Open Studios at the Yale School of Art.
Presentation: “Celebrating Bachelard’s Pyromenon Through the Practice of Good Fire, an Anarchic Ceramic Experience” along with Tim Freeman at the 12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).
Presented "Crawling Through the Moon: Fragments of an Outpost of the Imagination," June 2024 at the Comparative and Continental Philosophy Circle (CCPC). University of Hawai'i Hilo, Hawai'i.
Appointment: Foster Chair in Contemporary Art Theory and Practice and Distinguished Curator-in-Residence at Emerson College.
Co-curated "John Preus: The Beast (Herd Mentality)," at Montserrat College of Art.
Publication: A Psychological Journey into Otherness an essay in the book "Between Mobility Control and Social Transformation: Art/Interdisciplinary project Risk Change."
Group Exhibition: "Big Sky" at Marfa Studio Arts.
Founder of The GlassHouse.
Presentation: "Rainbow Liberty: LGBTQ+ Political Economy in a Polycentric World" at Markets & Society hosted by Mercatus Center, at George Mason University Dates: October 11-14.
Presentation: Rainbow Liberty: Topics in LGBTQ+ Mainline Economics," is upcoming for the Southern Economic Association conference
President Jennifer Ford Art Advisors and President Choice Designs
Participation in Artist Residency at the Studios at MASS MoCA, 2019.
Artist residency at the Scalamata Gallery / Michel Meron in Venice, Italy, August, 2024.
Panel Chair: "Transgressive Tendencies: Stepping Over to Go Beyond" at CAA 2023. New York, NY
Appointment: Associate Professor of Art at Northern State University.
Presentation: “Expressions of Trauma and Healing Amid Recurring Warfare” at the East-West Philosophers’ Conference in Honolulu, Hawai'i, May 24-31, 2024.
Presentation: “Dao of AI” at the Comparative and Continental Philosophy Circle, June 4-7, 2024, at Hawai'i Volcano National Park.
Publication: Cover artwork and illustrations in Helen Najera Reyes book, Grandpa Lee's Stories, New Mexico to California. The book has also been nominated to the Latino International Book awards, under the young adult category.
Created permanent sculpture at Indiana University Kokomo along with two students.
Promotion: Full Professor and Chair of the Fine Arts Department, Indiana University Kokomo.
Appointed the Interim Executive Director at 500 Capp Street.
Appointment: College Art Association (CAA) Board of Directors for the 2019-2024 term
Forthcoming book "Sculpted Ambiances in Africana Landscape" will be published by Routledge in 2025.
Received a fellowship from the C. Sylvia and Eddie Brown Driskell Center Scholars Advancement Fund. The award will fund travel and research for Dr. Orwel's new book on David C. Driskell. As part of the award, he'll present a lecture at the David C. Driskell Center's gallery.
Book Publication: Machine Anxieties of Steampunk: Contemporary Philosophy, Neo-Victorian Aesthetics, and the Future by Bloomsbury Press
Presentation: "Bread Philosophy: Forgotten Justices in Situating Scott Nearing" as part of the 2021 Speaker Series at the Good Life Center in Harborside, ME.
Appointed to the board of the Good Life Center. March 2023.
Participated in the Arctic Circle Residency, July 2024.
Exhibition: in collaboration with Chicano artist Richard Lou, pages from the graphic novel “Embustero” are on display at Clemson University until March 8th. Additionally, her works are represented in the show Art Gallery: RichardLou Exhibition at Union University from April 23-May 28, 2024.
