Angela Mosley

Chaired the session Black Cultural Art Performances and present the paper "When Hope and Fear Collide" at the Black Joy AI Summit Conference in Washington, DC.

Presented the workshop “The Evolution of Black Input and Output” at the 53rd Annual Legislative Conference in Washington, DC.

Co-Presentation with IDSVA Alumna, Erin Latham: “Teaching Under ‘Protections from Discrimination and Woke Indoctrination’” (FATE) at SECAC in Richmond, VA.

Awarded "Docs In Progress 2023 Legacy Fellowship" for the project, "After Dark," which backtracks Mosley's dissertation work, "The Trans Performative God: Hip-Hop’s Retelling Of The Woman," to highlight the deep complexities of the Chicago Black American experience and its Chicago Blues.

Presentation: "All But the Burden: Writing A Globalized Art Performative Using a DisCrit Perspective" at the Artistic Research conference in Africa (Johannesburg, South Africa).

Publication: Women Hip-Hop Artists and Womanist Theology in the MDPI Journal as part of the Special Issue Women Still Run This Thing: Hip Hop, Womanism, Sexuality, and Religion. Academic Editors: Daniel White Hodge and Erika D. Gault.

Host of the 2nd Annual Hip-Hop Summit (on the importance of diversity and inclusion in Hip-Hop music).

Presentation: "Emmanuel Levinas, Jackson Pollock, Aretha Franklin, and Nelson Mandela Theorizing the Potluck through 21st Century Artivism and Dr. Seuss' Green Eggs and Ham" at the Perugia Food & Sustainability Studies Conference

Panel Chair: "The World is Yours: Global Hip-Hop Pedagogies and Praxis in Schools and Communities" at the American Education Research Association (AERA) Conference