Keren Moscovitch

Panel participant for “Interclass Contact: The Panhandler Project” as part of the Transgressive Pleasure Symposium in concert with the retrospective exhibition Barbara DeGenevieve: In Your Face at the School of the Art Institute of Chicago.

Session char: How do feminist artists care?. She will also present her art practice at the Services for Artists Committee panel Artists Within the CAA at the annual College Arts Association (CAA) in Chicago, February 15 and 16, 2024.

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Solo Exhibition "Sun, Moon, Egg" at the Penumbra Foundation, New York, NY.

Publication: "The Oceanic as Perpetual Revolt: Intimacy and Negativity in Jeanette Spicer’s 'Sea (see)'" in Journal of the Association for the Continental Tradition (JPACT)

Appointment: CAA’s Committee on Women in the Arts for a three-year term. The committee supports and promotes the scholarship, art practice and careers of women in the arts.

Publication: “BEAVER: The Exhibition” in "An Otherness Both Repellant and Repelled, a Deep Well of Memory That is Unapproachable and Intimate" (a series of images produced in dialogue with Julia Kristeva's Powers of Horror: An Essay on Abjection)signed by Naomi Elena Ramirez.

Solo Exhibition: One More Way: REVOLT! Large-scale, immersive, site-specific, multi-channel video installation investigating the intimate poetics of communal text interpretation, commissioned by LABA House of Study at the 14th Street Y, NY

Publication: "Whose Portrait Matters? Self-Representation and the Selfie Generation," published in Portraits of Who We Are exhibition catalog at the David C. Driskell Center for the Study of Visual Arts and Culture of African Americans and the African Diaspora.

Presentation: "Intimacy and Ideology: A Radical Proposition" at the Resistance: Psychoanalysis and Critical Theories Conference